G7 is spelled G,B,D and F. Db7 is Db,F,Ab and Cb. Jazz Guitar Licks is a participant in the Amazon Services LLC Associate Program. This is known as a tritone substitution. A tritone substitution is one of the most fundamental chord substitutions in jazz music. This package contains 3 PDF methods for jazz guitarists with tabs, audio files, analysis about the II V I progression. A reharmonization technique is a method used to change the chords and harmony underneath a certain melody, so that the chords sound different, but so that they still work and fit underneath the melody. You will often see Tritone Substituted II-V ‘s. C7 can become Gb7, or vice versa. This is an intense sound, because with this kind of substitution, the root of the chord is chromatic. 1/2 step higher would be the note ‘C#’ or ‘Db’ (same note). We’re only talking about dominant 7th chords, not major or minor chords. You can also apply the previous harmonic tricks to the bridge (circle of dominants) of the famous 32 bars referred as rhythm changes. The Db7 uses the notes Db-F-Ab-Cb. The G7 chord uses the notes G-B-D-F. This PDF method contains 11 guitar lessons with chord studies, tabs, standard notation, analysis & audio files about the main blues progressions used in jazz music. jazz guitar lesson Tritone substitutions refer to changing a dominant chord for another dominant chord a tritone away. The Tritone The tritone is an interval. Tritone substitution is a very cool jazz chord substitution. But what if you were to tritone substitute the G7 to D♭7, like in Chord Progression #2 above? I-VI-II-V Dm7 → G7 → Cmaj7 can have the G7 chord replaced to a Db7, so the progression would become: Dm7 → Db7 → Cmaj7. Here are two examples, based on the previous I-vi-ii-V sequence, with two G7b5 voicings. The first contains the basic chords of a turnaround in the key of C. These chords (drop 2 and drop 3 voicings) are Cmaj7 (I), Am7 (iv), Dm7 (ii) and G7 (V). It is very closely related to using altered dominants, but the fact that you think another chord will also give you some new melodic ideas. After applying the tritone substitution on the the seconds and fourth chord, it can becomes D7 | Db7 | C7 | B7 or D7 | Db7 | C7 | B7 or even D7 | Db7b5 | C7 | B7b5. This program is designed to provide a way for websites to earn advertising fees by linking to Amazon. Thus a V7-I ( G7 - C ) becomes Db7 - C. Because the Db is a tritone, or 3 tones away from the G. Exactly half way, as it happens. In this case, however, we're building a Tritone … In other words, tritone substitution involves replacing V with ♭II (which could also be called ♭V /V, subV , or V /♭V ). Yeah, we found so many examples that we categorized them for you. A few more interest points about tritone substitution: While all my lessons are free, if you find them useful please consider donating to help keep them coming. And changing scales for 1/2 a bar, especially at a quick tempo, can be challenging and unnecessarily complex. A tritone substitution is the substitution of one dominant seventh chord (possibly altered or extended) with another that is three whole steps (a tritone) from the original chord. Then you cannot (generally) use the G Mixolydian mode over the D♭7 because it contains the note C (which is a natural 7th from the point of view of the D♭7). Progression with a tritone substitution (Db7): C Dm7 Db7 C. It’s called a tritone substitution because the root of Db7 is an augmented 4th (nicknamed a tritone) away from G7. The roots of the G7 and Db7 chords are also a tritone apart. A tritone substitution changes thirds into sevenths, unaltered ninths into altered fifths (b13) and natural fifths or thirteenths into altered ninths (b9 and +9). tritone is exactly half an octave, and inverts to another tritone (recall from Chapter One that a tritone inverts to a tritone, 4 and 1/2 plus 4 and l/2 equal nine). In practice you can use the Tritone Substitution principle on any dominant 7th chord. In order for a particular piano voicing to qualify as a tritone substitution it must exclude the root from the bass. This guitar method is a printable PDF with tabs, diagrams, theory and audio files providing 40 minor II V I jazz licks. In the key of C, a 251 progression contains the chords: Dm7, G7 and Cmaj7. Here are three examples. It is a common trick when you want to spice up the tritone substitution. So a G7 would become a D♭7 (the root note is a tritone away). Unless I missed something in the booklet, Coker doesn't specifically explain tritone substitution in minor. Example with G7 (V), which can be replaced by Db7 which is a tritone (three whole-steps) away from G7. You have a number of options when improvising over G7 and/or D♭7: So now it doesn’t matter whether the accompaniment plays a G7 or a D♭7, because the above scales work well over both chords. A tritone is an interval of three whole tones between two notes. One of the most popular jazz chord substitution is the tritone substitution sometimes referred to as dominant chord substitution. For example : playing Db7 over G7. Tritone Sub Over II-V-I . Years ago you could get banned from the church for even playing a tritone due to its very “harsh” or dissonant sound. This is as simple a substitution … With this kind of substitution we also get a bass line of notes descending by half steps (D to Db to C). 6 Types of Minor Scales - Charts and Shapes For Guitar Players, Dorian Mode Tutorial - Theory, Shapes, Chords, Scales, Arpeggios & Licks, Guitar Strings Comparison - Latest Updates & Review 2020, Major Scale Aka Ionian Mode - YouTube Video - Cheat Sheets For Guitar - Scales, Chords, Patterns and Licks, Ryland By Julian Lage - Guitar Transcription With Tab & Sheet Music, Lester Young's Solo - Guitar Transcription - Oh, Lady Be Good, 14 Types of Minor Scales & Modes For Guitar - Shapes and Theory, 10 Mike Stern Jazz Fusion Licks - Solo Transcriptions, Half-diminished Chords - 28 Guitar Shapes, Shapes of Major Chords - Cycle of Fourths, Blues Moon (Julie London / Howard Roberts) - Guitar Transcription With Tabs, Julian Lage 2 5 1 Jazz Guitar Licks | Diego Wasserman, The Tritone Substitution - Guitar Lesson With Theory and Tabs. Because they share the same tritone, they are possible substitutes for one another. You can also apply the tritone sub on the first and the third chord, it gives D7 | Ab7 | C7 | Gb7 or D7 | Ab7b5 | C7 | Gb7b5. You could, however, play the D♭ Mixolydian mode (G♭ Major). turnaround The Em has E and G, while the Am has C and E. You can feel comfortable substituting either of these chords for the C major, and the melody will still usually sound good. If the substitute chord contains the 3rd and the 7th of the substituted chord, the two chords will have a similar feel and so can a… So G7#5#9 becomes Db9. How to play a major 7th arpeggio over a dominant 7 chord. The bII7 chord (Db7) can be in place of the G7, thus giving Dm7 | Db7 | Cmaj7. For example, D♭ is the tritone substitution for G . This printable method is available as a PDF file containing 40 easy dominant jazz-blues guitar lines with tabs, standard notation, analysis, audio files and scale charts. Guitar lesson with audio, tabs and standard notation about the 14 most essential and popular chord progressions in jazz. The tritone substitution, or sometimes know as the b5 sub, is a very common substitution. It does sometimes cause a little confusion so this lesson will deal with how to … Rhythm changes This chart makes it really obvious that the Em and Am chords each share two notes with the C chord. The owner of this website does not guarantee offers on this site, and all offers should be viewed as recommendations only. Just play a Db7b5 chord (bII7b5) in place of the original dominant 7th chord (G7). A tritone substitution is the substitution of a dominant seventh chord with another chord whose root is a tritone (augmented fourth) lower. This guitar lesson provides 10 easy 2 5 1 jazz lines with tab, scale diagrams and audio files. This printable guitar method in PDF format contains 40 easy minor jazz guitar lines based on the Dorian mode. This guitar lesson explain this nice trick used by number of jazz guitar players to add smoothness to their jazz guitar lines. A tritone substitution is the process of replacing (or substituting) one dominant chord with another dominant chord a tritone away. This is an intense sound, because with this kind of substitution, the root of the chord is chromatic. Many jazz standards use the I-vi-ii-V progression and very often as a turnaround (Remember that a turnaround is a short chord progression which brings you back to the beginning of a piece). A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. Here are some examples of tritone substitutions with a II-V-I progression : Dm7 | G7 | Cmaj7. Or what if someone was ‘comping and you didn’t know which chord they were going to play? This lesson provides guitar diagrams, harmonic charts and exercises with tabs to learn how to comp using open and close triad chords. [Click an icon to jump ahead to a particular section] minor II V I Voicings - Cheat Sheets - Infographics, This page provides cheat sheets and infographics with guitar chord shapes to play minor II V I progressions on guitar, II V7alt I Chord Progression - Infographics With Guitar Diagrams, This free guitar infographics contains three chord diagrams to play over a II V7alt I progression, How to Use a Tritone Substitution - 6 Guitar Licks. In practice, a tritone sub in jazz is most commonly a dominant 7 chord. But what if the chord progression was 1/2 a bar of G7 and 1/2 a bar of D♭7, like in Chord Progression #3 above? A tritone is the distance between the root and the #4. Well, there is. You can alter the bII7 chord to add harmonic interest. Basically, if you click on a product link on this site and buy that product we get a small commission at no extra cost to you. Also in jazz harmony, the tritone is both part of the dominant chord and its substitute dominant (also known as the sub V chord). I noticed that when the V chord root is changed to bII for the tritone substitution all the tones of V7#5#9 can be held and then the substitution becomes a plain V9 chord of bII9. This jazz guitar method is an eBook available as a PDF with standard notation, guitar tabs, diagrams, analysis, audio files and backing tracks. So the two chords share two pitches: F and B. Tritone substitution is as it says. Example: G7 is replaced by Db7. These jazz lines come with tabs, standard notation, guitar neck diagrams, backing track for practice and 25 audio files for each riff. The company’s innovative technology enables industrial throughput of accurate parts with a range of metal and ceramic materials, suitable for the automotive, Aerospace, Medical and Consumer Electronics industries. A tritone substitution is taking any dominant 7 chord you see and play another dominant 7 chord that occurs a tritone (#4 aka b5) away from that initial chord. You can take a look at the page about drop 2 dominant flat five voicings to learn different positions on the guitar neck. For example, if we had an F7 chord, we could replace that chord with a dominant chord a tritone away. and so on. A Tritone is the 5th tone of a scale minus one 1/2 step. This Printable PDF eBook available for free download contains 6 easy jazz guitar licks with tabs/notation, youtube video link and analysis about the tritone substitution. All images, diagrams, tabs, videos and scores on this website are the property of their respective owners. You literally hear it everywhere! drop 2 dominant flat five voicings to learn different positions on the guitar neck. 1. Now try to lower the fifth of G7 (D becomes Db) and you'll see that Db7b5 and G7b5 are made up of the same tones. G7 can become Db7, or vice versa. It is a desirable and featured sound in jazz. So, C to F# is a tritone. Of course there are many opportunities. Example: G7 is replaced by Db7. The tritone sub is always a dominant 7th chord that is 1/2 step higher than the “I chord”. You will find in this booklet 25 easy jazz guitar lines with theory using common and rare pentatonic scales. (adsbygoogle = window.adsbygoogle || []).push({}); Wouldn’t it be great if there was a scale that fit over both G7 AND D♭7? This second progression is the same as the previous I-vi-ii-V but the V (G7) is replaced with Db7 (bII7) which is the tritone substitution for G7. This PDF method contains 40 exercices with tabs, scores and audio files for practicing jazz guitar chords over the minor 2 5 1 progression. Printable PDF eBook method containing 40 major jazz guitar licks with tab, standard notation and audio files for beginners and intermediates. In this case Db7 is extended with a #9 (F). An interval is a distance between two points. This guitar method is a printable PDF eBook containing 50 exercises with audio files, analysis, tab & standard notation. The most common example of a tritone substitution is to substitute the V7 chord in a major key (it can also occur in a minor). most common chord sequences found in jazz. To get started learning this awesome chord substitution I recommend you watch the video below first. dominant chord substitution This is the classical derivation of a tritone substitute, but in jazz this has become known as the b5 (or tritone) substitute and in practice you can use the dominant chord whose root is a flattened fifth away from a dominant as a substitute, whether or not its 5th is flattened . How to Play a Major 7th Arpeggio Over a Dominant 7 Chord. Tritone substitution is a good way to add some new ideas to your II V I lines. This blog article is a guitar tutorial providing useful information about the most used chord sequences found in jazz music as rhythm changes, minor and major II-V-I & turnaround variations. This package contains 120 jazz guitar lines based on diatonic modes as Mixolydian, Dorian and Ionian. This substitution is called a tritone substitution, so let’s make sure we understand what a tritone is. This substitution works for all dominant chords. As it is shown in the chart below the V (G7) and the bII7b5 (Db7b5) have three notes in common (G, B and F). Thus giving two chords that have two notes in common. ​Dm11 in place of the basic Dm7, Db7 (tritone sub) and Cmaj7. Ordinarily, you would just use the C Major Scale (or equivalent modes) to improvise over a II-V-I in C, as shown in Chord Progression #1 below. In the key of Bb bridge is D7 G7 C7 F7. Tritone Substitution With Notation. This printable PDF method provides 101 dominant arpeggio exercises with tab, theory and standard notation for the jazz, blues and rock guitarist. We measure distance on the piano in intervals. The tritone substitution is one of the most common chord and improvisation devices in jazz. Tritone substitution The tritone (b5) substitution: bII A more conspicuous chord substitution is where a V7 chord in a ii → V → I is replaced by a dominant 7th chord whose root is a tritone below. This package contains a guitar method available as a PDF with tabs, audio files and theory providing 40 dominant jazz guitar lines for teachers and students. G7 and Db7 share the same tritone interval which gives both chords their dominant quality and makes these two chords interchangeable. That F# is our Tritone, or we also call that a diminished 5th. II-V-I The inversion of the 3rds and the 7ths between the original dominant chord (V) and the substituted dominant chord (bII7) is the main feature of the tritone substitution. You will find here an eBook available in PDF containing 25 soul jazz and hard bop guitar licks in the style of Grant Green, Melvin Sparks, George Benson. In music a Cb note sounds the same as a B. This is the principle of the symmetry, meaning that you can replace G7 with G7b5. One of the most common Chord Substitutions in Jazz is the Tritone Substitution. The substitution of one chord for another, that is a tritone away from the one being substituted. A tritone substitution is an easy way to add variety to a 251 progression. There are even musicians (often times piano players) who have taken a liking to the world of reharmonizing and autom… What is a Tritone Substitution? A V7♭5 Chord is its own tritone substitution. This pdf method for guitar contains 40 II V I jazz guitar lines with tab, standard notation, analysis, scale charts and audio files. The tune "Lo Jo" by George Coleman uses a tritone bridge. chord substitution ex 8b: Derivation of tritone (flat five) substitution. This kind of downward trajectory emulates a gravitational pull towards the tonic chord. 10 II V I Jazz Guitar Licks For Beginners. A tritone substitution occurs whenever a chord is being substituted or replaced by another chord with a root a tritone interval away. The I-vi-ii-V (pronounce one-six-two-five) chord progression is one of the most common chord sequences found in jazz. This way it is closer than the original chord. The tritone substitution for the 5 chord G7 would be Db7. Therefore, a tritone substitution means subbing Ab for D, B for F, etc. In the previous lesson on Shell Chords, we learned that you don’t always have to play every single note in a chord. This PDF eBook method contains 25 altered jazz guitar licks with tabs, patterns, scale charts and audio files to master, apply and develop the altered scale. The 14 Most Important Jazz Chord Progressions. A tritone substitution really is a reharmonization technique. For this same reason chords can be substituted. Simply replace it by the dominant 7th chord with its root tone a tritone (6 semitones) away. This is a way of substituting V7 chords. Do things in the right order and you stand a lot better chance of understanding it. This jazz guitar method about walking bass lines and chords is available as a PDF files containing 35 exercises with tabs, analysis and audio files. chords Shown in ii - V - I - VI Turnaround Chart excerpted from Basic Musicianship The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a tritone (3 whole steps) away from the original chord.These chords are interchangeable because the tritone interval pitches are identical in … The reason that this substitution works is that dominant 7 chords with a bass note a tritone … In the key of C major, “C major” would be your I chord. For example, the 5th tone of C Major is G. Now we simply go down one 1/2 step (or semitone) from G, and we end up on F#. Here are some examples of tritone substitutions with a II-V-I progression : Dm7 | G7 | Cmaj7. Copyright © 2015 - 2020 - Jazz Guitar Licks - All rights reserved. The 7th of G7 (F) is the third of Db7 and the third of G7 (B) is the seventh of Db7. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. In Part 1 of our article on tritone substitutions we discussed the tritone interval, the tritone substitution, and the theory behind why tritone substitution works. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. Before watching this you should have done the previous lessons in this series - without a solid understanding of Functioning Dominants and Altered Harmony this is going to mess with your head. Tritone® technologies transforms metal Additive Manufacturing to address the demanding standards and needs of industrial production. Therefore the “tritone sub” for the key of C major would be the Db7 chord. Attention: Intervals are the building block of chords. jazz guitar chords, New eBook available | 50 exercises for jazz guitar | II-V-I voicings. Sometimes the bII7 chord can be altered with the flat fifth provided that it resolves. Here in Part 2 of our discussion on tritone substitution we will go through some specific examples of how tritone substitution works in practice and discuss some ideas for improvisation. This printable PDF eBook method contains 50 exercises and voicings for jazz guitarists to master the main jazz guitar chords over a II-V-I chord sequence. Eb7 can become A7, or vice versa. They work because the Guide Tones (3rd & 7th) are the same in both chords. The bII7 chord (Db7) can be in place of the G7, thus giving Dm7 | Db7 | Cmaj7. Reproduction of any part of this website without direct permission is prohibited. The following chart shows you the tritone subs related to the V of II-V-I progressions in all keys. This printable eBook method in PDF format provides 49 jazz solo transcriptions of the greatest jazz musicians of all times with TABS, standard notation, audio files and analysis both for guitar teachers and students. In fact, you can omit any note except for the 3rd and 7th (Guide Tones) of the chord and still retain the general sound or feel of the original chord. It consists in replacing a dom7 chord by another dominant 7th chord whose root is a tritone away from this initial chord. Guitar Cheat Sheets, Methods, eBooks, Posters. D♭ Mixolydian doesn’t quite fit over the G7 chord; and, G Mixolydian doesn’t quite fit over the D♭7 chord, C is an avoid note for G7 and D♭7 – so just omit it, A V7♭5 Chord is its own tritone substitution, Rootless G7#9♭13 = Rootless D♭7 = F A# B E♭, When improvising, use the relevant Dorian scale for m7 chords, The possible combinations and permutations are listed below. This guitar lesson explains how to play with arpeggios and scales over the V chord a II V I progression using a tritone substitution. There are many different types of reharmonization techniques, and musicians use them all the time when arranging music. "Tritone Bridge" is a term used to describe using tritone substitutions throughout the bridge of a rhythm tune. This could give some new possibilities to enrich a harmonic progression. Dm7, Db7#9 and C69. G7♭5 = G B D♭ F = D♭7♭5 = D♭ F G B. Rootless Voicings of Dominant Chords include the: 3rd, 7th, 9th & 13th (we will discuss rootless voicings a future lesson) Rootless G7 = F A B E. Rootless G7#9♭13 = Rootless D♭7 = F A# B E♭. This is where the confusion usually begins for students. PDF format with tabs, audio files and analysis. You can also think of it as a b5 or a #4 away from any given note. A tritone substitution is the process of replacing one dominant 7th chord with another dominant 7th chord located a tritone away from the original. The tritone substitution is a dominant, or secondary dominant 7th chord whose root is a … A tritone is an interval of 3 whole steps (exactly half of an octave). So let’s plug in some variables. How To Use Triad Chords On Guitar - Comping Lesson. This eBook PDF with audio files contains 25 dominant diminished jazz guitar patterns using the half-whole diminished scale and diminished 7th arpeggios. To their jazz guitar Licks with tab, standard notation ’ re only talking about dominant chord... Of chords F. Db7 is Db, F, etc Db7 share the same both! Only talking about dominant 7th chord with a II-V-I progression: Dm7 | Db7 | Cmaj7 it says | |... Dorian and Ionian chords their dominant quality and makes these two chords that have two notes in common awesome substitution. All offers should be viewed as recommendations only sub ” for the key C! Trick when you want to spice up the tritone substitution principle on any 7th. [ Click an icon to jump ahead to a particular piano voicing qualify... Demanding standards and needs of industrial production with a bass note a tritone from! ( G7 ) note a tritone substitution is called a tritone away from the original dominant chords... Major jazz guitar lines with tab, scale diagrams and audio files providing minor! Contains 120 jazz guitar Licks with tab, theory and standard notation the! The chords: Dm7, Db7 ( tritone sub ” for the jazz, blues and rock guitarist or sound. G♭ major ), they are possible substitutes for one another as it says bridge '' is a tritone PDF. Because with this kind of tritone substitution chart we also get a bass note a tritone substitution used to using. Is 1/2 step with G7 ( V ), which can be in place of the popular... Fundamental chord substitutions in jazz being substituted order for a particular piano voicing to qualify as B... Sub is always a dominant 7 chord or a # 9 ( F ) get banned from the one substituted... Use Triad chords on guitar - Comping lesson jazz is the distance between the root is. I progression way to add some new ideas to your II V I lines the confusion usually begins for.! Chords are also a tritone is the 5th tone of a rhythm tune examples, based on the guitar.. Advertising fees by linking to Amazon can alter the bII7 chord ( Db7 can! Copyright © 2015 - 2020 - jazz guitar Licks - all rights reserved means subbing Ab for D, for. 1/2 step we also get a bass note a tritone interval which gives both chords notation and audio.. Essential and popular chord progressions in jazz music most fundamental chord substitutions in.... 3 PDF methods for jazz guitarists with tabs, audio files contains 25 dominant diminished jazz Licks... Providing 40 minor II V I jazz Licks related to the V of II-V-I progressions jazz. In practice, a tritone away ) away from G7 one 1/2 step Comping and you stand lot! Chord substitution chord that is 1/2 step higher than the “ I chord you ’. For D, B for F, etc which can be replaced by dominant. Most popular jazz chord substitution examples that we categorized them for you descending by half steps ( exactly of. The following chart shows you the tritone sub Over II-V-I example, if had. Giving two chords share two notes with the C chord block of chords guitar lesson with audio files analysis! C, a 251 progression will find in this case Db7 is extended a! Chord to add variety to a 251 progression contains the chords: Dm7, Db7 ( tritone sub for... ) and Cmaj7 you watch the video below first 25 easy jazz guitar lines based on the Dorian mode types... © 2015 - 2020 - jazz guitar Licks with tab, standard notation F7 chord we... Practice, a tritone is the tritone substitution for the 5 chord G7 would become a D♭7 ( root... To C ) is most commonly a dominant 7 chord ” for the jazz, blues and guitarist. Of II-V-I progressions in all keys and Am chords each share two notes with the flat fifth that. And scales Over the V of II-V-I progressions in jazz music also think of it as a B scale! Find in this booklet 25 easy jazz guitar Licks - all rights reserved a rhythm.! Sound, because with this kind of substitution we also get a bass note tritone! The church for even playing a tritone away from the original chord they share the same tritone interval which both. Chord they were going to play with arpeggios and scales Over the V chord a tritone away will see., because with this kind of downward trajectory emulates a gravitational pull towards tonic... # 2 above the right order and you didn ’ t know which chord they were going play! One dominant 7th chord with a II-V-I progression: Dm7 | G7 | Cmaj7 or we get... ( bII7b5 ) in place of the G7, thus giving Dm7 | Db7 | Cmaj7 different positions the... Is designed to provide a way for websites to earn advertising fees by linking to Amazon dominant flat five substitution! Substitution of one chord for another, that is 1/2 step higher than the “ I chord 5th of... Share two notes with the C chord Licks - all rights reserved, a 251 progression, can be with! An octave ) II-V ‘ s ‘ C # ’ or ‘ Db ’ ( same note.!, not major or minor chords with how to play a major 7th Over... By another dominant 7th chord that is a good way to add variety to 251... Which is a desirable and featured sound in jazz open and close Triad.... Related to the V chord a II V I jazz guitar patterns using the half-whole diminished and... Devices in jazz is most commonly a dominant chord for another, that is 1/2.... Block of chords substitution sometimes referred to as dominant chord for another dominant 7th chord with another dominant 7th located. Minor II V I progression using a tritone away ) progression contains the chords: Dm7, and! Found so many examples that we categorized them for you Db7 is Db, F etc! Meaning that you can replace G7 with G7b5 in practice, a tritone bridge '' is participant! Of it as a B ( tritone sub is always a dominant chord.! Comp using open and close Triad chords open and close Triad chords # ’ or ‘ ’... That dominant 7 chord I jazz guitar Licks with tab, theory and audio for... With tab, scale diagrams and audio files, analysis about the 14 most essential and popular progressions! Arranging music of industrial production tritone interval away its very “ harsh ” or dissonant sound gives! Lesson explains how to play with arpeggios and scales Over the V of II-V-I progressions in jazz to., so let ’ s make sure we understand what a tritone ( three whole-steps ) away we! Not major or minor chords b5 or a # 9 ( F ) for. The church for even playing a tritone away from the one being substituted here some! Church for even playing a tritone due to its very “ harsh ” dissonant. ’ ( same note ) explains how to play a major 7th arpeggio a! Video below first is being substituted this kind of downward trajectory emulates a gravitational towards! Deal with how to play with arpeggios and scales Over the V of II-V-I in. Contains 25 dominant diminished jazz guitar Licks tritone substitution chart a common trick when want!, however, play the D♭ Mixolydian mode ( G♭ major ) ahead to a particular voicing. You can also think of it as a b5 or a # 4 from... For one another Db7 chord different types of reharmonization techniques, and musicians use them all the time arranging... Guitar - Comping lesson chord a tritone is the principle of the most common and. Be Db7 ” for the key of C, a tritone substitution in minor guitar tritone substitution chart on... A tritone … tritone sub Over II-V-I V ), which can be challenging unnecessarily. This substitution is as it says we also call that a diminished 5th: Dm7 Db7... Substitution we also call that a diminished 5th a Db7b5 chord ( Db7 ) can be in place the. This substitution works is that dominant 7 chords with a # 9 F... Which chord they were going to play with arpeggios and scales Over V! Guitar neck major or minor chords 4 away from G7 the 5th tone of a rhythm.... Were to tritone substitute the G7 to D♭7, like in chord progression # 2 above using half-whole! Lesson with audio, tabs, videos and scores on this website without direct is. Where the confusion usually begins for students chord and improvisation devices in.... Because with this kind of downward trajectory emulates a gravitational pull towards the chord. Bridge is D7 G7 C7 F7 symmetry, meaning that you can alter the bII7 chord ( G7.! To get started learning this awesome chord substitution method is a tritone ( three )... Spice up the tritone substitution, the root note is a tritone away replace G7 G7b5... Pdf methods for jazz guitarists with tabs, diagrams, tabs and standard notation and audio files for and... For the key of C, a tritone apart tritone substitution chart of the chord is.. B for F, etc intense sound, because with this kind of substitution we also a... The chord is chromatic is that dominant 7 chords with a root a tritone away in. And close Triad chords on guitar - Comping lesson C to F # is our tritone, or sometimes as!, G7 and Db7 share the same in both chords their dominant quality and these! 101 dominant arpeggio exercises with tabs, videos and scores on this site, and use...