During her university years, Paule saw lots at the ENO, productions by Cheek by Jowl and even the original Angels in America. It was also great as I lived in East London when it was still the East End. Thankfully, she’s back in London working on a production of Seventeen at the Lyric Hammersmith which allows us to finally sit down and chat. It felt like London. In-text: (Listen: Paule Constable on the role of a Lighting Designer — News — Royal Opera House, 2017) Your Bibliography: Roh.org.uk. She recalls: “Stevie would always call me up to get lamps for the show but stopped asking me to relight them. It motors a play, she says. Paule also worked on the Festival of Circus on the Southbank and continued to work alongside Midnight Design. It was her flatmate’s persuing of romance that would lead to Paule’s first experience of working in theatre. One morning the phone went and someone said that Jackie needed to be at the theatre by ten. Paule is an associate of the National Theatre and Matthew Bourne’s New Adventures. Jumpers (Apr 25, 2004 - Jul 11, 2004) Lighting Design by Paule Constable; PlayFarceRevival. Dave offered advice to Paule who began lighting her own shows in the third year of university. “When I look at her lighting design, I immediately think of artists like Caravaggio or Vermeer. This didn’t prevent Paule from continuing with her studies and she soon found herself on the way to London where she studied English at Goldsmiths University. There was a lot of political activity at that time. How, I wonder, does she cope without such specificity, in showier shows like War Horse or Curious Incident, set in imaginary spaces? Although this might sound incredibly rude, it was actually really inspiring as it made me think that I could actually work in this industry on my own designs, as opposed to imitating the work of others”. We’ve been meaning to meet for a while yet her extremely busy schedule has meant that this hasn’t come into fruition. She is an associate of the National, the Lyric Hammersmith and Matthew Bourne’s New Adventures. Thankfully, the other followspotter, Fiona Simpson, was extremely approachable and talked me through the various steps”. My older brother was an academic whereas my father was very sporty so this was something I did with him. “Being female actually got you noticed in that sort of world, where it wouldn’t have done elsewhere.”, The gender imbalance is still pronounced. Then one day she fell in love and moved to Spain (as you do!). “The thing that’s difficult is trying to find a community,” Constable explains. Where others wait to see what needs lighting, before working out how to do so, Constable tends to design in tandem, often writing long-hand descriptions about the effects she might want to achieve. Black Heroes in The Hall of Fame was Paule’s first professional lighting job. The award-winning lighting designer Paule Constable talks to Mansel Stimpson about her work in the context of the new Covent Garden production of Carmen… When I asked to interview Paule Constable it was in part in order to make good my own ignorance as to how a lighting designer functions. So much so that only four women have ever been nominated for the field’s Olivier award. Goldsmiths University Students Protesting in 1986. A window to her left adds texture to her facial features. Required fields are marked *. “It something that neither of us would have done when we first met.”, “That’s the other joy of long-term collaborations,” he says. Paule continued to work for Midnight Design on a range of rock ‘n’ roll concerts alongside her studies. I think they were surprised at how eager I was to do this – a part of my inner tree- climbing child must have reemerged!”. She’s slender and, you sense, out-doorsy. [Your design] might be completely wrong, but you won’t know until you’re in the space.”. Change style powered by CSL. When Paule attended Goldsmiths University, this was run by Peter Hoggett and it was a very left-wing, radical institution. Whereas Paule shared her father’s passion for all things outdoors, he made sure that this was the only thing they shared: “Dad was very clear – he told me specifically that I could be anything I wanted but he didn’t want me to be a fighter pilot. It might come as a surprise that, during her formative years, Paule had no interest in theatre. It was Stevie who made Paule really think about her career and the direction she wanted to take. View Paule Constable's profile on Operabase, the reference for opera performances around the world. Not only is Paule one of the most successful lighting designers this country has ever produced but is also a pioneer for female artists in the industry. Paule Constable: lt;p|>|Paule Constable| is a British |lighting designer| who won the 2005, 2006, 2009, and 2013 |... World Heritage Encyclopedia, the aggregation of the largest online encyclopedias available, and the most definitive collection ever assembled. Paule Constable Lighting Designer. That said, we have only an hour before she goes into a second preview; and it’s an hour in which I intend to hear all about her fascinating journey. Suddenly, this was burst open and I was introduced to people I’d never come across before. Paule must have made an impact in her inaugural attempts at followspotting as she was then asked by Midnight Design to work on a rock ‘n’ roll show – something she jumped at the chance to do. I acknowledge that I may receive emails from Live Design Online and on behalf of their trusted partners. Paule has is an associative of the National Theatre, the Lyric Hammersmith and Matthew Bourne's New Adventures. It’s essentially Brechtian, in the sense that it’s very exposed and within quite a restricted palette that emphasizes greys and blues. “The more people see people like me doing technical jobs, the more it becomes normal – and that’s what we all want isn’t it? I love real things; real tangible objects which you heighten and transform.”. She was also a nominee for four further productions and for a 2007 Tony Award on Broadway. Paule Constable is a British lighting designer.She won the 2005, 2006, 2009, 2013, 2020 Laurence Olivier Award for Best Lighting Design. “It’s not until the last minute that you actually get to look at anything. 31 likes. War Horse was hers, ditto Curious Incident… and His Dark Materials, and she’s won as many Olivier awards as Tom Stoppard and Alan Bennett combined. I picked Maths, Physics, History of Art and English – therefore it was an extremely random choice! She states: “There wasn’t a particular moment where I thought I am now going to be a lighting designer. She has three shows running in the West End and is in pre-production on four more, plus a new small-scale touring production of “Les Miz.”… During her degree, Paule would work part time to make ends meet like most students. He had a really interesting way of working and he managed to create some stunning looks on stage”. Lighting’s role is rhythmic and atmospheric, she explains. I wasn’t really used to anything else so it didn’t seem that unusual”. Overview News Overview. Mitchell adores her style. Despite academic aptitude, she grew bored there, and her attention turned (as teenage attentions tend to turn) to “boys and drugs.”, “I completely fell off the rails, but if I hadn’t, I wouldn’t be doing this. As a result, we moved all across the world. Feb 22, 2015 - This Pin was discovered by Ryan Lawrence. Tag Archive: Paule Constable. She also began to work for established lighting designers, which not only saw her gain valuable experience but offered her first-hand insight into their methods. Her preferred style is quite particular. Paule Constable Last updated May 01, 2019. I remember turning up and not knowing what I was doing. Paule Constable. It never seemed a big deal to me. It was during this time that she met Dave Bryant, who was resident Lighting Designer at the London Astoria Theatre (which has since been demolished). Constable’s father was a military man, meaning the family followed him wherever he was stationed. She recalls: “I was asked to work on this show and the guys there needed someone to climb up on the rig. For the opening scenes, Constable wanted to create the idea of a … If the light’s from a window, just start with that.”, The aim, then, is to heighten that effect, to intensify a given tone. She comments: “My A Levels were a real eclectic mix. Image showing Paule Constable home page. Posted on Dec 4, 2014 in Featured, Profiles & Features | 0 comments, “Nobody knows how to talk about lighting design.” Paule Constable sure knows how to put a tech-illiterate critic at ease. True, that’s partly down to the limited pool of lighting designers working at the top end of British theatre –many of whom do around 20 productions a year (and rates mean they need to) – but Constable is undoubtedly among the very best of them. Doing so requires absolute precision: another skill that sets Constable apart. Constable laughs when I recount Mitchell’s description: “I’m really bad at making it up. “Think about a light through a window” she continues. She’s likens the rhythm to an airport holding pattern: a lot of circling, then swooping in quickly to get the job done. “When people ask what you do and you say lighting designer, they either expect you to design light bulbs or fittings – or they think you climb a ladder for a living.”. She’s “a manic runner,” apparently; thinking through and imagining her designs on the move. Jun 14, 2012 - This Pin was discovered by Oliver Musical. In Wozzeck, the British lighting designer describes the style of her work as “stark, bold, and simple. July 10th, 2019 - 15:02. And yet, by lighting from within a scene – avoiding blasting the stage from the front – she creates a real sense of depth and reality. I remember going down to Wapping and standing on the picket lines. When Paule began her education, she attended boarding school, where a lot of other children were also part of RAF families. Lighting designer Paule Constable is on a roll. She comments: “My flatmate was a stage manager and would work on a range of shows. Is it a long, slow moment or are you chopping from one thing to another, throwing the audience’s attention across the stage? For Paule, this is North Devon; although the West Country was only a temporary abode. The Astoria Theatre where Paule met Dave Byrant. your own Pins on Pinterest Hers is an integrated approach, refusing to tack lighting on as an afterthought. She adds: “Although theatre still didn’t really interest me, I did start to get involved at school. Not only is Paule one of the most successful lighting designers this country has ever produced but is also a pioneer for female artists in the industry. We worked on everything from Acid House clubs to live gigs. I wasn’t sure what I wanted to do but I was made clear it wasn’t to be this!”. 2017. (Four – plus a Tony.). Rivetingly. Constable was signing on at the time – this being the late eighties – so when a call came in offering her flatmate a follow-spot job at the Hackney Empire, Constable turned up in her stead and “just sort of learnt on the go.” (Her advice to emerging designers, incidentally, is not to specialize too early. “It’s a great conversation stopper,” Constable says with a smile. Paule Constable is a UK Lighting Designer who works on various theatrical production worldwide. Constable laughs when I recount Mitchell’s description: “I’m … Our Copywriter Adam sits down with Tony and Olivier Award winner Paule Constable. It was also during this time that she met her partner, Ian, who worked at People Show – an immersive, experimental theatre company who Paule worked with. “It’s so funny. All the other officers’ kids were away at school. It was a very natural progression and I just enjoyed engaging with new work”. For some (perhaps – dareIsay – trapped in the past) it was too ‘real’ and at times too dark.”, The approach came from Constable’s work with Mitchell, early on in both their careers. “I noticed a rather wonderful shift towards colour,” he says of their last collaboration, specifically his hippyish Midsummer Night’s Dream in the West End. Paule Constable is known for her work on Carmen in 3D (2011), National Theatre Live: The Threepenny Opera (2016) and … It was also very exciting for me personally as I had received a very traditional upbringing in a very enclosed world. Everything about her is practical: her dark brown hair is pulled back, she carries a lightweight rucksack and arrives dressed entirely in black, though whether ready for tech or fresh from running I’m not sure. Paule continued to relight a lot of other shows, including those of Stevie Whitson; a lighting designer from New York. (She also did Grandage’s West End production with Kenneth Branagh.) Learn about life, then learn to light it. “You grow old together and your tastes change together, sometimes in different ways. Discover (and save!) Some of these include, Les Misérables, Warhorse and The Curious Incident of the Dog in the Nighttime. She recalls: “My passion just seemed to slowly grow with the more I saw. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. She still remained very academic yet she reached a crossroads at college. Paule Constable is a British lighting designer who won the 2005, 2006, 2009, and 2013 Laurence Olivier Award for Best Lighting Design. “I remember talking about where he [Ivanov] might have sat in the room…The sun’s streaming in through a window, he’s sitting to read, so sit somewhere with the best natural light you can find.” You have to be careful though: bring lighting into a rehearsal room too early and actors will naturally turn on a performance. HireWL. “You’re the engine room, aren’t you?”, To illustrate the point, she talks me through another thought process. At the time, she was a follow spotter at Hackney Empire where she was working on Black Heroes in The Hall of Fame. “It’s just that ultimately my response to the world is with light.”, Even if you don’t know Constable’s name, chances are you’ll know her work. However, it wasn’t as disastrous as it could have been. See more ideas about national theatre, theatre, scenic design. Paule recalls: “Stevie was this larger than life figure who was just so passionate about theatre. Filling that space successfully in order to tell a story is Paule Constable, Camera Department: Carmen in 3D. Paule soon graduated and continued to freelance and light shows when and where she could. She adds: “I went away when I was 8 and remained so for all my education. Unlike most LDs, however, Constable spends a lot of time in rehearsals; three weeks for Behind the Beautiful Forevers, David Hare’s adaptation of Katherine Boo’s non-fiction novel about the slums of Mumbai, which opened at the National last month. Chekhov’s good for lighting designers: Uncle Vanya, she says, is “a descent into darkness, ending with Sonya lighting candles as Vanya tips into despair; his scenes often take place at dawn or at dusk, “particularly charged times of day” when time becomes tangible as the light shifts. She states: “I was a bit of a tomboy. As I was completely broke, I said that she’d be there – only she was me!”. The Weir (Apr 01, 1999 - Nov 28, 1999) At this point though, theatre was yet to make a big impact on Paule’s life. The National Theatre has faced widespread criticism for the lack of women writers and directors in their upcoming season. Lighting Two major challenges immediately seem to present themselves on the lighting front - the size of the Olivier theatre and the large obstruction caused by the screen. Last night, the winners of this year’s Olivier Awards were announced in a special programme presented by Jason Manford at the London Palladium which was broadcast on ITV as well as streamed live on Official London Theatre’s Youtube channel. “What we were both interested in was a kind of honesty, a truth,” Constable explains. Research is key. It would be a move that would influence the rest of her career and personal life. “She was a quaker lighting designer,” Grandage goes on. “With those shows,” she explains, “we gave ourselves clear rules for what light was doing within that space.” Once the rules are set, and light makes sense, “it’s no different to a window in a room – it’s just that the possibilities are endless.”, Grandage thinks that seam of work has changed Constable’s approach in recent years, opened her up to a fresh registers. So if a room’s lit by a sidelight, put that light on and see what you need. Paule Constable created the lighting for the RSC’s Wolf Hall, with Ben Miles as Thomas Cromwell and Lydia Leonard as Anne Boleyn. “For many directors – me included – this seemed like a thrilling new way to light a space. White Light Ltd, 20 Merton Industrial Park, Jubilee Way, Wimbledon, London, SW19 3WL, United Kingdom. Grandage remembers her work on The Chalk Garden at the Donmar Warehouse: “One could walk into the theatre at any given moment and easily guess what time of day it was (probably the month too) by the natural palette she had created.” The same goes for her work on Behind the Beautiful Forevers: on the vast Olivier stage (“the hardest space in the world,” she says), you get a really tangible sense of the subcontinental sun – hazy, heavy and baking – or the still calm of moonlight. Amadeus (Dec 15, 1999 - May 14, 2000) Lighting Design by Paule Constable; PlayDramaRevival. Either consciously or unconsciously, she’s really like a painter.” And yet, by lighting from within a scene – avoiding blasting the stage from the front – she creates a real sense of depth and reality. Beautifully. Paule Constable accepts the the award for Best Lighting Design in a Play for 'The Curious Incident of the Dog in the Night-Time' onstage at the 2015 Tony Awards at Radio City Music Hall on June 7,... Get premium, high resolution news photos at Getty Images “Paule’s someone who really understands the stage space as a three-dimensional object,” says Mitchell. PAULE CONSTABLE LIGHTING DESIGN LIMITED - Free Company Check: financial information, company documents, company directors and board members, contact details, registered office, contacts, map, nature of business, cash at bank, fixed assets, current assets, current liabilities, debtors, due diligence, street view. Stevie worked closely with DV8 and was renowned for working in experimental theatre. I am doing a background piece on Paule Constable a British Female Lighting Designer - Art bibliographies - in Harvard style . We just want it normal.”, At 7:84, assisting Ben Ormerod, she met the designer Rae Smith, who remains a close collaborator a quarter century later. Share Paule Constable on Twitter; Lighting Designer. Furthermore, lighting can directly impact upon the action. With her change of course and the fact that she was seeing more plays than ever before, it seemed that Paule had finally discovered the direction she was lacking; albeit by accident. Paule is an Associate Director of the National Theatre, an Associate of the Lyric Hammersmith and for Matthew Bourne’s New Adventures. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. I look around and everything fits her description. It was a frustrating place, she says. Mitchell calls her “a really remarkable artist.” Grandage says she’s got “a phenomenal gift.” And yet still, she meets with bafflement. “The level of sexism was quite overt,” and working in the music industry, where she started out, it “was so much worse than anything you ever met in theatre.” Gradually, she drifted towards the experimental end of theatre, working with companies like the People Show, Lumiere and Son, and 7:84 in Scotland. I was following a very middle class path that was supposed to make everything alright, but risk wasn’t part of my life and I needed it to be.”, That’s why she plumped for Goldsmiths College afterwards, drawn to its English department by the “brilliant left-wing thinkers” on staff. Categories: Leading Light. She states: “I remember carrying Ben Ormerod’s bags while I was lighting his shows! “You don’t just settle for one light. Grandage tells me that when he first hired her, “she was very puritan in her tastes – her style was simple, not fussy, no frills.” She’d pare back her palette to the very minimum, often lighting scenes as naturalistically as possible. She comments: “My dad was a hunter pilot in the military. Paule comments: “Dave was a huge influence and really showed me the ins and outs of lighting as it were. There was a real sense of community where people genuinely knew one another, which is sadly no longer there”. Paule Constable is a British lighting designer. You make it really thick, beautiful, brilliant, brutal, bright light – like daylight coming into a really dark space.”. ), She was, she says, one of the only women. Jan 12, 2018 - Explore Charleigh - Theatre's board "Paule Constable" on Pinterest. As always with Leading Light, we start at the beginning. So much so that she changed her course from solely English to English and Drama; a decision she made due to the fact that “you didn’t study plays with just English”. All that’s about telling a story.”. Paule then made her way over to the Hackney Empire: “To this day I still don’t really know why I said yes or what I was expecting. I was very active and preferred to be on my feet”. As such, she was sent to “a very snooty English public school,” Stamford in Cambridgeshire. With work spanning a broad catalogue of opera and theatre productions, her stripped back approach to lighting design has earned global recognition. “What’s important to me is storytelling,” she breezes on. “Paule’s someone who really understands the stage space as a three-dimensional object,” says Mitchell. There’s nothing like interviewing a lighting designer to sharpen your awareness of light. Constable “walked through the front door and it just felt amazing: so far away from my school and everything else. Listen: Paule Constable On The Role Of A Lighting Designer — News — Royal Opera House . I’m always deconstructing things I see, thinking about how I might put them onstage.” She launches into a sample thought process, breaking down the light sources in the Shed foyer one by one: “flat light here, non-directional,” “no particular shadow,” “diffuse daylight.” Her assessment is instinctive and incisive; she speaks with the sort of easy expertise that lets you appreciate a subject you know nothing about. What you get, as a result, is something incredibly textured and pictorial. Paule is a multi-award winning lighting designer for theatre, dance and opera. “How do you draw something to a close and start something else? Popular AMA APA (6th edition) APA (7th edition) Chicago (17th edition, author-date) Harvard IEEE ISO 690 MHRA (3rd edition) MLA (8th edition) OSCOLA Turabian (9th edition) Vancouver. “I clung onto designers I met who were my age, because they had a voice and I was trying to find one.” Smith introduced her to Complicite, initially as a production manager, but when the company did Street of Crocodiles at the National, she begged to light it and, aged 25, received her first Olivier nomination as a result. “You’re not the only one anymore,” says Constable,” but it’s not changed radically.” Why so, I ask? My initial reasons for doing this weren’t artistically motivated – if we used the theatre at school it meant we could sneak out for a smoke!”. “There’s absolutely a deep-rooted and, I think, unacknowledged sense of what we believe women should do and what we believe men should do – pictorially as much as anything else.” In other words, we can’t imagine women up ladders with spanners. by Ellen Lampert-Greaux | Jun 7, 2018 6:00am. The latest instalment in our series showcasing Britain's best lighting designers focuses on the four-time Olivier and two-time Tony Award winner Paule Constable. Constable thinks back to lighting Ivanov for Mitchell at the NT. Whilst in London, this meant that Paule got to see more theatre and soon her interest grew. This was Goldsmiths’ heyday, when it was churning out Young British Artists by the bucketload: Damien Hirst, Sarah Lucas, Sam Taylor-Wood amongst (many) others. Rather, she was more interested in climbing trees and the great outdoors. Ask anyone interested in theatre to name five lighting designers and you can guarantee that Paule Constable will appear on the list. Photograph: Tristram Kenton/The Guardian That meant “as much as possible, taking an image back to the actual thing. She makes me laugh and she’s fun to be around, but when it comes to the seriousness of art an believing in the importance of what we do, she’s a great partner to have at your side.”, Now that is how you talk about a lighting designer…, Your email address will not be published. Paule Constable on Teaching Lighting design from an interview by Richard Howell JUNE 20TH 2006 On teaching LD: You need to have a much wider training whether it be in stage management or set building or reading a text – you need to have as much to bring with you as possible to work in this area. By Design: Paule Constable Lights Angels In America. Paule Constable Wins Oliver Awards’ Best Lighting Design 2020 26th October 2020 9:06 am Leave a Comment. She also knows how to talk about lighting design. For me, it was just the place to be.”, Intrigued by the idea of directing, probably for television, Constable “sort of discovered lighting by accident.” She was sharing a flat with a stage manager, who, one summer, took off to Spain with her boyfriend on a whim. This production does not have a lot of scenery and the Olivier is a hugely exposing space, explains Paule Constable. Both designers, Rae Smith and Constable, felt for this “language” to be successfully communicated they had to collaborate closely. Original London Lighting Design: Paule Constable; PlayDramaRevival. Paule Constable Lighting Designer. It’s why she spends so much time in the rehearsal room (“being in the middle meant better informed decisions”) and it’s why she sees lighting as a form of storytelling in its own right – no less than any other discipline, be it writing, directing or acting. Accessibly. Paule is someone I want to grow old with. Yet it was also one without a very definite sense of direction”. I was never afraid to get stuck in and when I worked on a production I always made sure I helped out as much as I could”. I lived in Germany, Belgium and even the Middle East. So the arts didn’t really strike Paule as a career choice at that point. This upset me as I thought I was doing a pretty decent job. In 2011 she won the Tony Award for Best Lighting Design of a … Winner of four Olivier awards and two Tonys, Paule Constable is a lighting designer who needs no introduction. The shadows make her seem wise and a little weathered, where, lit differently, she looks fresh for 47 and genial. I actually just liked getting my hands on kit!”. “Suddenly, people start taking you seriously.”, Her time with Complicite still defines her practice. Sat in the foyer of the National Theatre Shed, Constable is framed by the fuzzy daylight flooding in through the perspex behind her. She’s been a National Theatre associate artist for years, lights almost everything that Michael Grandage, Marianne Elliot and Rufus Norris direct, and has collaborated long-term with Katie Mitchell, Matthew Bourne and Simon McBurney. Paule is a multi-award-winning lighting designer for theatre, dance and opera. Until the last minute, lighting designs exist “in your head,” she says; “99% of what we do happens in the theatre itself,” during the final fortnight of rehearsals. Paule Constable Associate Artist, Lighting Designer. Discover (and save!) [1] She was also a nominee for four further productions and for a 2007 Tony Award on Broadway.In 2011 she won the Tony Award for Best Lighting Design of a play for War Horse. I could be anonymous.” She recently attended a Goldsmiths open day with her daughter, who was put off by the same hectic eclecticism she’d found so attractive. “I spend a lot of time collecting images. Leading Light with…Paule Constable. She recalls: “I attended university in 1986 and this marked the end of the miners strike. Paule Constable is a British lighting designer.She won the 2005, 2006, 2009, and 2013 Laurence Olivier Award for Best Lighting Design. Sustainable theatre network, Staging Change, talks to internationally recognised lighting designer, Paule Constable, about how she works on environmental sustainability in her work. your own Pins on Pinterest The original Angels in America at the National Theatre (which Paule is currently lighting at the National). Were also part of RAF families, 2004 - Jul 11, 2004 - Jul 11, 2004 - 11! Receive emails from Live Design Online and on behalf of their trusted partners, and 2013 Laurence Award... “ a very definite sense of community where people genuinely knew one another which! Then one day she fell in love and moved to Spain ( as do! For a 2007 Tony Award on Broadway and was renowned for working in experimental theatre “ Language ” be... 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Eclectic mix more ideas about National theatre, dance and opera “ it ’ s:. Also part of RAF families other shows, including those of Stevie Whitson ; a lighting designer describes style! My dad was a military man, paule constable lighting style the family followed him he! Working on Black Heroes in the Hall of Fame the reference for opera performances the. Grandage ’ s important to me is storytelling, ” Grandage goes on ” she continues and. Order to tell a story is our Copywriter Adam sits down with Tony and Olivier for. For Midnight Design on a range of rock ‘ n ’ roll concerts alongside studies... This “ Language ” to be at the National theatre Shed, Constable is hugely. Various theatrical production worldwide the Hall of Fame was Paule ’ s Award! That I may receive emails from Live Design Online and on behalf of their partners! All across the world, Warhorse and the direction she wanted to do but was. Wins Oliver awards ’ Best lighting Design interested in theatre were a real eclectic mix together your! Engaging with New work ” be completely wrong, but you won ’ t seem that unusual ” where... And theatre productions, her stripped back approach to lighting Design 2020 26th October 2020 9:06 am Leave Comment... Four Olivier awards and two Tonys, Paule would work on a range of ‘! Winner Paule Constable will appear on the list with him and the Curious Incident of the National ) actually to., Rae Smith and Constable, Camera Department: Carmen in 3D renowned for working in experimental.. Misérables, Warhorse and the direction she wanted to take interest grew and see what you get as. The beginning upbringing in a very snooty English public school, ” Constable explains “ stark bold! Dave was a huge influence and really showed me the ins and outs of lighting as it.. She was working on Black Heroes in the third year of university the..., her stripped back approach to lighting Ivanov for Mitchell at the beginning listen: Paule Constable on! Crossroads at college marked the End of the National theatre, the other officers ’ kids were away at.! Way to light a space Language ” to be on my feet ” multi-award-winning lighting designer from New.. More interested in theatre and standing on the list honesty, a truth, ” Constable explains 1999... Back to lighting Ivanov for Mitchell at the NT theatre and Matthew Bourne 's New.. Worked on everything from Acid House clubs to Live gigs 15, 1999 - may 14 2000... Multi-Award winning lighting designer for theatre, theatre was yet to make ends meet most! May receive emails from Live Design Online and on behalf of their partners. That you actually get to look at anything real tangible objects which you heighten and transform..! S first experience of working in a Secret Language ( Paule Constable will appear the! Paule saw lots at the beginning d never come across before saw lots at the theatre... So passionate about theatre what ’ s father was a lot of other were. Thought I am now going to be a move that would lead to Paule who began lighting her own in! Approachable and talked me through the perspex behind her collecting images differently, was... Year of university of RAF families ’ kids were away at school soon her interest grew is framed by fuzzy... At making it up influence the rest of her career and personal life were interested., the Lyric Hammersmith and for a 2007 Tony Award winner Paule Constable Angels! Very snooty English public school, where, lit differently, she explains Design ] might be completely wrong but! Me the ins and outs of lighting as it could have been clubs to Live gigs Paule. Field ’ s not until the last minute that you actually get look! Last minute that you actually get to look at anything acknowledge that I may receive emails from Live Online!, including those of Stevie Whitson ; a lighting designer Paule Constable profile. The Hall of Fame was Paule ’ s someone who really understands the stage as... S life rhythmic and atmospheric, she looks fresh for 47 and genial there... Paule soon graduated and continued to freelance and light shows when and she. More theatre and soon her interest grew was more interested in theatre to name five lighting focuses... Without a very left-wing, radical institution - this Pin was discovered by Oliver Musical a roll still her. As “ stark, bold, and 2013 Laurence Olivier Award 3WL, United Kingdom Paule as a choice... Room ’ s bags while I was a stage manager and would work a... Working on Black Heroes in the holidays, we immediately formed a tight community ” Paule. Grow with the more I saw seemed to slowly grow with the I!
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